In 1984, an impressive discovery in the jungle of Ecuador, in the Cueva de los Tayos, in a town called La Maná, shook the world of forbidden archeology, while – of course – matrixmedia and matrixcultura once again hid the fact to keep us in the dark. historical amnesia with which they always want to put us to sleep. More than 300 enigmatic pieces were found by engineer Elías de Sotomayor, who at the time was searching for gold in a tunnel 100 meters under stone. The collection was presented at the Unsolved Mysteries Congress of 200. The most striking thing of all was an illuminating pyramid: equal to that of the dollar bill from an antediluvian dating… coming from an unknown culture: Atlantis-Lemuria! That pyramid is the symbol of the Bavarian Illuminati of the 18th century and the modern Yankee Freemasons…How come it already existed in Atlantis? Currently these pieces represent an unsolved enigma. They are nothing like the indigenous cultures of Ecuador, which are more than 7,000 miles away.Egypt . The names and inscriptions are reminiscent of ancient Sanskrit . Mana is “mind” in Sanskrit. A cobra appears with 7 degrees (chakras) and 33 notches (Masons, the kundalini rises by 33 degrees, vertebrae of the spine or chakras), when this is typical of Southwest Asia. The collection remains guarded by a native agricultural businessman named Germán Villamar. The language of objects seems to be a type of Sanskrit (=perfect language), which is the origin of all languages and yoga mantras. They also seem to use a mathematical language of numbers.
CUEVA DE LA MANÁ, IN ECUADOR A group of gold seekers led by engineer Elías Sotomayor who had entered the jungle mountains of La Maná, in Ecuador, discovered in 1984, in an area that in the 1980s had been object of gold mining exploitation by mechanical means, at the coordinates 0.95ºS 79.18W, a deep tunnel that led to a huge enclosure in which there were some 300 stone artifacts of unknown origin and age, which, if it were not a falsification, deals another mortal blow to those who try to transform ancient truths into legends.
These incredible objects appear to have been designed respecting a psychoacoustic geometry, also possessing “zero point” magnetic effects, and their design, lithic technology, and finish, once again challenge speculation about the knowledge and technological capabilities of ancient civilizations.
In addition to their similarity to those of the Mayan culture, they present designs that have been considered congruent with the ancient civilizations of Southeast Asia, and even their logographic forms support an acceptable comparison with Sanskrit, demonstrating that their existence could date back to the time when which the planet was inhabited by a single civilization, technologically far superior to our current post-industrial man, and culturally globalized.
In addition to complex mineral mixtures that cover the entire known light spectrum, calcite inlays (with a known ultraviolet fluorescent property) engraved on the facet of the carving cause the objects to disperse light in a non-linear and quantum manner when exposed to ultraviolet light. diverting the center of attention towards certain sculpted symbols that do not appear to be important under natural light, as if it were a secret code or a message or map that has not yet been able to be interpreted, beyond the amazement that these changes provoke in the observer. luminous when realizing the subtle knowledge of reflective symmetry patterns that their manufacturers mastered.
The objects are all of different sizes, and there are finely carved discs with geometric mandalas and concentric and eccentric circles, plates with spirals and strange engravings (in some you can recognize constellations such as Orion or the Pleiades), thirteen jadeite cups of different sizes with symbols sometimes similar to the Mayans, sometimes to contemporary Western mystical concepts, human figures in ritual attitudes, heads of snakes (which currently only exist in Asia), and finally the two most impressive objects: the representation of a pyramid with 13 steps or horizontal divisions , three triangular sides and an eye as a symbol, which has been represented in all ancient cultures as the Third Eye (very similar to the pyramid that appears on the North American dollar bill),and a stone slab 60 cm high, 40 cm wide and 30 cm deep, on which is engraved a map of the world (which could be the oldest known), including South America, Central and North America, Europe, parts of the world. of Asia and Africa and three continents that could be the mythical Mu and Lemuria in the Pacific and Atlantis in the Atlantic.
The discs have a region of magnetic zero in the center that can be checked by placing a magnet there: it begins to rotate, at a constant speed and without stopping, in the same direction as the incised lines.
The map, for its part, obviously represents a very ancient time, in which the geographical structure of our planet was different and had not yet faced the catastrophic events reported in all the ancient texts that involved, among other things, subdiction and elevation. of sea level, but the current continents are unmistakably distinguishable, while in the coastal area of Southeast Asia a land mass appears outlined that is currently under water and in the Americas the Caribbean islands or the Florida Peninsula do not appear and In its place it once again reveals enormous land masses that would be submerged today.
In the middle of the North Atlantic a small continent (or a large island) appears that coincides with Plato’s Atlantis; In the Pacific, below the equator, a continent that does not exist today is also represented and to the south of what is now Japan, a third continental mass (which, by the way, fully coincides with the Yonaguni underwater finds ) .
Another enigmatic detail of the map is that between the region where ancient Babylon was located and the site in La Maná where the objects were found, there is a white line drawn that unites them.
With respect to the mysterious pyramid, as there have so far been no discoveries that prove the existence of pyramids like the Egyptian ones (there are only stepped ones) in America, it has been considered a representation of the Great Pyramid of Gizeh (a somewhat fragile assumption , not because of the distance, as many think, but because of everything that still lies undiscovered in America, without going any further, beneath its tropical jungles).
It is gray in color with small gold inlays at its feet representing the constellation of Orion, and other glyphs with indecipherable characters (a German professor, president of the Linguistic Society of that country, Kurt Shildmann, said he had been able to translate said cryptic text as: “ The creator’s son is on the street.”
All the stones of La Maná react under ultraviolet light, some forming numerous constellations that begin to shine like stars in the night sky, but in the case of the pyramid, its eye begins to emit its own light, causing bluish engravings.
On the back you can see gold inlays that represent the constellation of Orion… just like the pyramids of Giza…, and the letters that appear, very similar to the text of the voynich manuscript still undeciphered and with the writing of Easter Island , are from “pre” Sanskrit (that is, older than the first known writing…)
It should be noted that the stories of verbal transmission that have survived time, account for the existence of a City of Gold in what is currently the Ecuadorian jungle, called, precisely “La Maná”, which if a translation is taken into account of the name from Sanskrit (probably one of the oldest known languages), it would mean “The Mind” or “The Mental Body”, and that the characteristics of the area where the objects were found is very special due to the fact that organic gold was found. in water, a phenomenon that hydrologists consider only occurs in the richest water sources on the planet.
Currently, the La Maná Stones are part of the copious private collection owned by Germán Villamar in Ecuador, who apparently received all of them as a donation or legacy from Dr. Sotomayor.